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  • YouTube.com/XZanthiaMUSIC This is music that refuses to sit still.
    It isn’t here to soothe you or fade into the background—
    it exists to keep you alert, slightly off-balance,
    never certain what’s about to unfold next.

    Every moment is a corner you haven’t turned yet.
    Just when you think you understand it,
    it shifts, lunges, softens, surprises.
    It’s an acquired taste, absolutely—
    not something inherited, familiar, or politely nostalgic.
    This is not comfort food. This is appetite disruption.

    I want the sound to confuse you, to intrigue you,
    to make you uneasy in a way that keeps pulling you closer.
    To catch you enjoying tension,
    finding pleasure in resistance,
    realizing that discomfort can feel intimate
    when it refuses to let go.

    You may not always know what you’re hearing,
    but you’ll never be bored—
    because at any moment it’s ready to leap out,
    wrap around you,
    and pull you into that strange place
    where struggle feels like an embrace.



    Project 19.5 is an ethereal, esoteric music project that began in 1998, long before genres like “witch house,” “dark ambient,” or “experimental pop” had names attached to them. What started as intimate sonic experimentation grew over decades into a body of work shaped by collaborations with multiple producers across different eras, each phase capturing a different emotional frequency and psychological landscape.

    Rather than traditional songwriting, Project 19.5 focuses on much, but not all non-lyrical vocals, breath, tone, texture, and instinct. My voice is treated as an instrument—hovering between noise, chant, dream, and ritual—allowing listeners to project their own meaning without being guided by explicit words. This approach creates an immersive emotional experience that exists somewhere between beauty and unease.

    In 2025, the project entered a new phase: revisiting, remixing, and remastering archival material to finally release it in its most refined and intentional form. These recordings preserve the raw spirit of their original creation while enhancing the depth, clarity, and atmosphere—bridging past and present into a singular evolving entity.

    Project 19.5 represents the ethereal side of XZanthia—still haunting, still unsettling, but softer and more internal than her darker project, Jupiter’s Thunder. The Project 19.5 album Uzumaki exists within this realm as a gentler spiral, incorporating lyrics while maintaining a dreamlike, hypnotic quality.

    This is music designed to be felt rather than understood—a liminal soundscape for introspection, transformation, and emotional resonance beyond language.
    YouTube.com/XZanthiaMUSIC πŸ‘½πŸ’ΏπŸŽ€πŸŽΆπŸŽ΅ This is music that refuses to sit still. It isn’t here to soothe you or fade into the background— it exists to keep you alert, slightly off-balance, never certain what’s about to unfold next. Every moment is a corner you haven’t turned yet. Just when you think you understand it, it shifts, lunges, softens, surprises. It’s an acquired taste, absolutely— not something inherited, familiar, or politely nostalgic. This is not comfort food. This is appetite disruption. I want the sound to confuse you, to intrigue you, to make you uneasy in a way that keeps pulling you closer. To catch you enjoying tension, finding pleasure in resistance, realizing that discomfort can feel intimate when it refuses to let go. You may not always know what you’re hearing, but you’ll never be bored— because at any moment it’s ready to leap out, wrap around you, and pull you into that strange place where struggle feels like an embrace. Project 19.5 is an ethereal, esoteric music project that began in 1998, long before genres like “witch house,” “dark ambient,” or “experimental pop” had names attached to them. What started as intimate sonic experimentation grew over decades into a body of work shaped by collaborations with multiple producers across different eras, each phase capturing a different emotional frequency and psychological landscape. Rather than traditional songwriting, Project 19.5 focuses on much, but not all non-lyrical vocals, breath, tone, texture, and instinct. My voice is treated as an instrument—hovering between noise, chant, dream, and ritual—allowing listeners to project their own meaning without being guided by explicit words. This approach creates an immersive emotional experience that exists somewhere between beauty and unease. In 2025, the project entered a new phase: revisiting, remixing, and remastering archival material to finally release it in its most refined and intentional form. These recordings preserve the raw spirit of their original creation while enhancing the depth, clarity, and atmosphere—bridging past and present into a singular evolving entity. Project 19.5 represents the ethereal side of XZanthia—still haunting, still unsettling, but softer and more internal than her darker project, Jupiter’s Thunder. The Project 19.5 album Uzumaki exists within this realm as a gentler spiral, incorporating lyrics while maintaining a dreamlike, hypnotic quality. This is music designed to be felt rather than understood—a liminal soundscape for introspection, transformation, and emotional resonance beyond language.
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  • The enemies of our people will not keep us from celebrating our faith. They murder us, condemn us, and go out of their way to marginalize us. We will stand strong, up against an evil older than antiquity. Even with the tragedy and saddened heart, we will continue with our holiday spirit. Shalom aleichem.

    https://www.jpost.com/diaspora/article-880251
    The enemies of our people will not keep us from celebrating our faith. They murder us, condemn us, and go out of their way to marginalize us. We will stand strong, up against an evil older than antiquity. Even with the tragedy and saddened heart, we will continue with our holiday spirit. Shalom aleichem. https://www.jpost.com/diaspora/article-880251
    WWW.JPOST.COM
    Eleven murdered in Bondi Beach, Australia Hanukkah shooting | The Jerusalem Post
    Several more were wounded in the mass shooting targeting a Hanukkah celebration, including an Israeli, the Foreign Ministry added.
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  • If you're not in the holiday spirit yet...may Donald Trump leave coal in your stocking this year.

    https://www.youtube.com/watch?v=YTzZPFXMWm4

    If you're not in the holiday spirit yet...may Donald Trump leave coal in your stocking this year. https://www.youtube.com/watch?v=YTzZPFXMWm4
    Goth Vibes
    1
    0 Comments 0 Shares 833 Views
  • Getting through (or trying to) one of the toughest work weeks I've ever had,thanksgiving week right before always is insane and it doesn't stop there (I think I mentioned last year the turkeys literally "Flying off the shelves") not getting my hopes up for a chill week this week at all,I do have some PTO so I might try to plan something if I'm able,I never like to stop or quit so I just go go go as much as I can...I DID get to go see Spirit Box with Periphery and another band,it was a great concert as I've been a fan of SpiritBox for awhile. My best friend of 13 years and I went,upgraded our seats from the standing balcony to sitting with tables,totally worth it! The bands we all tight and so so talented,SpiritBox totally kicked butt and my neck is still recovering from all the headbanging I did,overall amazeing and much needed !
    Getting through (or trying to) one of the toughest work weeks I've ever had,thanksgiving week right before always is insane and it doesn't stop there (I think I mentioned last year the turkeys literally "Flying off the shelves") not getting my hopes up for a chill week this week at all,I do have some PTO so I might try to plan something if I'm able,I never like to stop or quit so I just go go go as much as I can...I DID get to go see Spirit Box with Periphery and another band,it was a great concert as I've been a fan of SpiritBox for awhile. My best friend of 13 years and I went,upgraded our seats from the standing balcony to sitting with tables,totally worth it! The bands we all tight and so so talented,SpiritBox totally kicked butt and my neck is still recovering from all the headbanging I did,overall amazeing and much needed !
    Dark Love
    1
    0 Comments 0 Shares 1K Views
  • Long live the Necromantic spirit it protects us when we least expect it.
    Long live the Necromantic spirit it protects us when we least expect it.
    0 Comments 0 Shares 699 Views
  • Nothing like a nice cozy Autumn breeze to lift the spirits
    Nothing like a nice cozy Autumn breeze to lift the spirits 😌🌞πŸ”₯
    Goth Vibes
    1
    0 Comments 0 Shares 954 Views
  • Good self confidence.
    Good exercise
    Good Sleep
    Good Food
    Good Spirituality

    im onto somethan
    Good self confidence. Good exercise Good Sleep Good Food Good Spirituality im onto somethan
    0 Comments 0 Shares 1K Views
  • You guys remember Nirvana? Cobain admitted the chord progression in Smells like Teen Spirit was inspired by a 70's song. I'll give you a hint...it wasn't Shake your Booty by KC and the Sunshine Band.

    https://www.youtube.com/watch?v=t4QK8RxCAwo

    You guys remember Nirvana? Cobain admitted the chord progression in Smells like Teen Spirit was inspired by a 70's song. I'll give you a hint...it wasn't Shake your Booty by KC and the Sunshine Band. https://www.youtube.com/watch?v=t4QK8RxCAwo
    Dark Love
    Goth Vibes
    2
    1 Comments 0 Shares 1K Views
  • So, I know that when you watch a video or whatever on social media the algorithm shows you more that are similar to what you've already seen. Right now on my feed, it appears that the far left is finding that cancel culture works both ways, and is not happy about it. I've got videos all over the place of mostly 20 something SJWs sobbing and wailing after supposedly losing their jobs because they posted video of themselves celebrating the Kirk shooting and/or posted absolutely vile comments on it, and someone sent screenshots to their employer. I'm not going to say watching them doesn't bring a warm fuzzy feeling to my withered black heart, but I wonder...these people are grown ass adults. Why would they throw a screaming tantrum over losing a job, especially considering they deserve far worse than unemployment? And if they were going to do that, why video it and post it online? What is there to gain from showing the internet their meltdowns? Back when I was that age, that would have been more like a mean-spirited prank a "friend" who didn't actually like you much might play on you than something you'd do yourself. I'm pretty sure a lot of these videos are about as real as Stephen King's apology, but again... To what end?
    So, I know that when you watch a video or whatever on social media the algorithm shows you more that are similar to what you've already seen. Right now on my feed, it appears that the far left is finding that cancel culture works both ways, and is not happy about it. I've got videos all over the place of mostly 20 something SJWs sobbing and wailing after supposedly losing their jobs because they posted video of themselves celebrating the Kirk shooting and/or posted absolutely vile comments on it, and someone sent screenshots to their employer. I'm not going to say watching them doesn't bring a warm fuzzy feeling to my withered black heart, but I wonder...these people are grown ass adults. Why would they throw a screaming tantrum over losing a job, especially considering they deserve far worse than unemployment? And if they were going to do that, why video it and post it online? What is there to gain from showing the internet their meltdowns? Back when I was that age, that would have been more like a mean-spirited prank a "friend" who didn't actually like you much might play on you than something you'd do yourself. I'm pretty sure a lot of these videos are about as real as Stephen King's apology, but again... To what end?
    0 Comments 0 Shares 3K Views
  • https://soundcloud.com/gustafgrefberg/spiritrunner
    https://soundcloud.com/gustafgrefberg/spiritrunner
    0 Comments 0 Shares 602 Views
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